Monday, June 14, 2021

Shri Hanuman Chalisa - Lyrics


Shri Hanuman Chalisa Lyrics in English



Shri Guru Charan Saroj raj Nija manu Mukura sudhari

Baranau Raghuvar Bimal Jasu Jo Dayaku Phala Chari

Budheeheen Tanu Jannike Sumiro Pavan Kumara

Bal Buddhi Vidya Dehoo Mohee Harahu Kalesh Vikaar


Jai Hanuman gyan gun sagar

Jai Kapis tihun lok ujagar

Ram doot atulit bal dhama

Anjani putra Pavan sut nama


Mahabir vikram Bajrangi

Kumati nivar sumati Ke sangi

Kanchan varan viraj subesa

Kanan Kundal Kunchit Kesha


Hath Vajra Aur Dhwaja Viraje

Kaandhe moonj janeu saaje

Sankar suvan kesri Nandan

Tej prataap maha jag vandan


Vidyavaan guni ati chatur

Ram kaj karibe ko aatur

Prabhu charitra sunibe ko rasiya

Ram Lakhan Sita man Basiya


Sukshma roop dhari Siyahi dikhava

Vikat roop dhari lank jalava

Bhim roop dhari asur sanhare

Ramachandra ke kaj sanvare


Laye Sanjivan Lakhan Jiyaye

Shri Raghuvir Harashi ur laye

Raghupati Kinhi bahut badai

Tum mama priya Bharat-hi-sam bhai


Sahas badan tumharo yash gaave

As kahi Shripati kanth lagaave

Sankadhik Brahmaadi Muneesa

Narad Sarad sahit Aheesa


Yam Kuber Dikpaal Jahan te

Kavi kovid kahi sake kahan te

Tum upkar Sugreevahin keenha

Ram milaye rajpad deenha


Tumhro mantra Vibheeshan maana

Lankeshwar Bhaye Sab jag jana

Yug sahasra yojan par Bhanu

Leelyo tahi madhur phal janu


Prabhu mudrika meli mukh mahee

Jaladhi langhi gaye achraj nahee

Durgam kaj jagat ke jete

Sugam anugraha tumhre tete


Ram duwaare tum rakhvare

Hot na agya binu paisare

Sab sukh lahai tumhari sarna

Tum rakshak kahu ko darna


Aapan tej samharo aapai

Teenon lok hank te kanpai

Bhoot pisaach Nikat nahin aavai

Mahavir jab naam sunavai


Nase rog harae sab peera

Japat nirantar Hanumat beera

Sankat se Hanuman chhudavai

Man Kram Vachan dhyan jo lavai


Sab par Ram tapasvee raja

Tin ke kaj sakal Tum saja

Aur manorath jo koi lavai

Soi amit jeevan phal pavai


Charon jug partap tumhara

Hai parsiddh jagat ujiyara

Sadhu Sant ke tum Rakhware

Asur nikandan Ram dulare


Ashta siddhi nav nidhi ke data

As var deen Janki mata

Ram rasayan tumhare pasa

Sada raho Raghupati ke dasa


Tumhare bhajan Ram ko pavai

Janam janam ke dukh bisraavai

Antkaal Raghuvar pur jayee

Jahan janam Hari Bhakt Kahayee


Aur Devta Chitt na dharahin

Hanumat sei sarv sukh karahin

Sankat kate mite sab peera

Jo sumirai Hanumat Balbeera


Jai Jai Jai Hanuman Gosain

Kripa Karahun Gurudev ki nayin

Jo shat bar path kare koi

Chhutahin bandi maha sukh hoi


Jo yeh padhe Hanuman Chalisa

Hoye siddhi saakhi Gaureesa

Tulsidas sada hari chera

Keejai Nath Hriday mahn dera


Pavan Tanay Sankat Harana Mangala Murati Roop

Ram Lakhan Sita Sahita Hriday Basahu Soor Bhoop

श्री हनुमान चालीसा -Shree Hanuman Chalisa

श्रीगुरु चरन सरोज रज निज मनु मुकुरु सुधारि
बरनऊं रघुबर बिमल जसु जो दायकु फल चारि
बुद्धिहीन तनु जानिके सुमिरौं पवन कुमार
बल बुद्धि बिद्या देहु मोहिं हरहु कलेस बिकार
जय हनुमान ज्ञान गुन सागर
जय कपीस तिहुं लोक उजागर
रामदूत अतुलित बल धामा
अंजनि पुत्र पवनसुत नामा
महाबीर बिक्रम बजरंगी
कुमति निवार सुमति के संगी
कंचन बरन बिराज सुबेसा
कानन कुंडल कुंचित केसा
हाथ बज्र औ ध्वजा बिराजै
कांधे मूंज जनेऊ साजै
संकर सुवन केसरीनंदन
तेज प्रताप महा जग बन्दन
विद्यावान गुनी अति चातुर
राम काज करिबे को आतुर
प्रभु चरित्र सुनिबे को रसिया
राम लखन सीता मन बसिया
सूक्ष्म रूप धरि सियहिं दिखावा
बिकट रूप धरि लंक जरावा
भीम रूप धरि असुर संहारे
रामचंद्र के काज संवारे
लाय सजीवन लखन जियाये
श्रीरघुबीर हरषि उर लाये
रघुपति कीन्ही बहुत बड़ाई
तुम मम प्रिय भरतहि सम भाई
सहस बदन तुम्हरो जस गावैं
अस कहि श्रीपति कंठ लगावैं
सनकादिक ब्रह्मादि मुनीसा
नारद सारद सहित अहीसा
जम कुबेर दिगपाल जहां ते
कबि कोबिद कहि सके कहां ते
तुम उपकार सुग्रीवहिं कीन्हा
राम मिलाय राज पद दीन्हा
तुम्हरो मंत्र बिभीषन माना
लंकेस्वर भए सब जग जाना
जुग सहस्र जोजन पर भानू
लील्यो ताहि मधुर फल जानू
प्रभु मुद्रिका मेलि मुख माहीं
जलधि लांघि गये अचरज नाहीं
दुर्गम काज जगत के जेते
सुगम अनुग्रह तुम्हरे तेते
राम दुआरे तुम रखवारे
होत न आज्ञा बिनु पैसारे
सब सुख लहै तुम्हारी सरना
तुम रक्षक काहू को डर ना
आपन तेज सम्हारो आपै
तीनों लोक हांक तें कांपै
भूत पिसाच निकट नहिं आवै
महाबीर जब नाम सुनावै
नासै रोग हरै सब पीरा
जपत निरंतर हनुमत बीरा
संकट तें हनुमान छुड़ावै
मन क्रम बचन ध्यान जो लावै
सब पर राम तपस्वी राजा
तिन के काज सकल तुम साजा
और मनोरथ जो कोई लावै
सोइ अमित जीवन फल पावै
चारों जुग परताप तुम्हारा
है परसिद्ध जगत उजियारा
साधु संत के तुम रखवारे
असुर निकंदन राम दुलारे
अष्ट सिद्धि नौ निधि के दाता
अस बर दीन जानकी माता
राम रसायन तुम्हरे पासा
सदा रहो रघुपति के दासा
तुम्हरे भजन राम को पावै
जनम-जनम के दुख बिसरावै
अन्तकाल रघुबर पुर जाई
जहां जन्म हरि भक्त कहाई
और देवता चित्त न धरई
हनुमत सेइ सर्ब सुख करई
संकट कटै मिटै सब पीरा
जो सुमिरै हनुमत बलबीरा
जै जै जै हनुमान गोसाईं
कृपा करहु गुरुदेव की नाईं
जो सत बार पाठ कर कोई
छूटहि बंदि महा सुख होई
जो यह पढ़ै हनुमान चालीसा
होय सिद्धि साखी गौरीसा
तुलसीदास सदा हरि चेरा
कीजै नाथ हृदय मंह डेरा
कीजै नाथ हृदय मंह डेरा
पवन तनय संकट हरन मंगल मूरति रूप

राम लखन सीता सहित हृदय बसहु सुर भूप 

Saturday, May 16, 2020

Vedic India or Vedic period or Vedic age

Vedic India or Vedic period or Vedic age


The Vedic period or Vedic age (c. 1500 – c. 500 BCE), is the period in the history of the northern Indian subcontinent between the end of the urban Indus Valley Civilisation and a second urbanisation which began in the central Indo-Gangetic Plain c. 600 BCE. It gets its name from the Vedas

In addition to the archaeological legacy discussed above, there remains from this period the earliest literary record of Indian culture, the Vedas. Composed in archaic, or Vedic, Sanskrit, generally dated between 1500 and 800 BCE, and transmitted orally, the Vedas comprise four major texts—the Rig-, the Sama-, the Yajur-, and the Atharvaveda. Of these, the Rigveda is believed to be the earliest. The texts consist of hymns, charms, spells, and ritual observations current among the Indo-European-speaking people known as Aryans (from Sanskrit arya, “noble”), who presumably entered India from the Iranian regions.

Nearer India, the Iranian plateau was subject to a similar migration. Comparison of Iranian Aryan literature with the Vedas reveals striking correspondences. Possibly a branch of the Iranian Aryans migrated to northern India and settled in the Sapta Sindhu region, extending from the Kābul River in the north to the Sarasvati and upper Ganges–Yamuna Doab in the south. The Sarasvati, the sacred river at the time, is thought to have dried up during the later Vedic period. Conceived as a goddess (see Sarasvati), it was personified in later Hinduism as the inventor of spoken and written Sanskrit and the consort of Brahma, promulgator of the Vedas. It was in the Sapta Sindhu region that the majority of the hymns of the Rigveda were composed.

The Rigveda is divided into 10 mandalas (books), of which the 10th is believed to be somewhat later than the others. Each mandala consists of a number of hymns, and most mandalas are ascribed to priestly families. The texts include invocations to the gods, ritual hymns, battle hymns, and narrative dialogues. The 9th mandala is a collection of all the hymns dedicated to soma, the unidentified hallucinogenic juice that was drunk on ritual occasions.

Few events of political importance are related in the hymns. Perhaps the most impressive is a description of the battle of the 10 chiefs or kings: when Sudas, the king of the preeminent Bharatas of southern Punjab, replaced his priest Vishvamitra with Vasishtha, Vishvamitra organized a confederacy of 10 tribes, including the Puru, Yadu, Turvashas, Anu, and Druhyu, which went to war against Sudas. The Bharatas survived and continued to play an important role in historical tradition. In the Rigveda the head of a clan is called the raja; this term commonly has been translated as “king,” but more recent scholarship has suggested “chief” as more appropriate in this early context. If such a distinction is recognized, the entire corpus of Vedic literature can be interpreted as recording the gradual evolution of the concept of kingship from earlier clan organization. Among the clans there is little distinction between Aryan and non-Aryan, but the hymns refer to a people, called the dasyus, who are said to have had an alien language and a dark complexion and to worship strange gods. Some dasyus were rich in cattle and lived in fortified places (puras) that were often attacked by the god Indra. In addition to the dasyus, there were the wealthy Panis, who were hostile and stole cattle.

The early Vedic was the period of transition from nomadic pastoralism to settled village communities intermixing pastoral and agrarian economies. Cattle were initially the dominant commodity, as indicated by the use of the words gotra (“cowpen”) to signify the endogamous kinship group and gavishti (“searching for cows”) to denote war. A patriarchal extended family structure gave rise to the practice of niyoga (levirate), which permitted a widow to marry her husband’s brother. A community of families constituted a grama. The term vish is generally interpreted to mean “clan.” Clan assemblies appear to have been frequent in the early stages. Various categories of assemblies are mentioned, such as vidatha, samiti, and sabha, although the precise distinctions between these categories are not clear. The clan also gathered for the yajna, the Vedic sacrifice conducted by the priest, whose ritual actions ensured prosperity and imbued the chief with valour. The chief was primarily a war leader with responsibility for protecting the clan, for which function he received a bali (“tribute”). Punishment was exacted according to a principle resembling the wergild of ancient Germanic law, whereby the social rank of a wronged or slain man determined the compensation due him or his survivors.

Later Vedic period (c. 800–c. 500 BCE)
The principal literary sources from this period are the Sama-, the Yajur-, and the Atharvaveda (mainly ritual texts), the Brahmanas (manuals on ritual), and the Upanishads (Upanisads) and Aranyakas (collections of philosophical and metaphysical discourses). Associated with the corpus are the sutra texts, largely explanatory aids to the other works, comprising manuals on sacrifices and ceremonies, domestic observances, and social and legal relations. Because the texts were continually revised, they cannot be dated accurately to the early period. The Dharma-sutra texts of this period became the nuclei of the socio-legal Dharma-shastras of later centuries.

Historians formerly assigned the two major Indian epics, the Mahabharata and the Ramayana, to this period, but subsequent scholarship has rendered these dates less certain. Both works are mixtures of the historical and the legendary, both were rewritten and edited, both suffered from frequent interpolations even as late as the early centuries CE, and both were later converted into sacred literature with the deification of their heroes. Consequently, important as they are to the literary and religious tradition, they are not easily identified with a historical period. The central event of the Mahabharata, whose geographic setting is the upper Ganges–Yamuna Doab and adjoining areas, is a war between two groups of cousins—the Kauravas and the Pandavas. Though the traditional date for the war is about 3102 BCE, most historians would prefer a later one. The events of the Ramayana relate to the middle Ganges valley and central India, with later interpolations extending the area southward.

The geographic focus of the later Vedic corpus moves from the Sapta Sindhu region into the Ganges–Yamuna Doab and the territories on its fringe. The areas within this land of the aryas, called Aryavarta, were named for the ruling clans, and the area encompassed within Aryavarta gradually expanded eastward. By the end of the period, clan identity had changed gradually to territorial identity, and the areas of settlement came eventually to form states. The people beyond the Aryavarta were termed the mlecchas (or mlechchhas), the impure barbarians unfamiliar with the speech and customs of the aryas.

The literature is replete with the names of clans. The most powerful among them, commanding the greatest respect, was the Kuru-Pancala, which incorporated the two families of Kuru and Puru (and the earlier Bharatas) and of which the Pancala was a confederation of lesser-known tribes. They occupied the upper Ganges–Yamuna Doab and the Kurukshetra region. In the north the Kamboja, Gandhara, and Madra groups predominated. In the middle Ganges valley the neighbours and rivals of the Kuru-Pancalas were the Kashi, Koshala, and Videha, who worked in close cooperation with each other. The Magadha, Anga, and Vanga peoples in the lower Ganges valley and delta were (in that period) still outside the Aryan pale and regarded as mlecchas. Magadha (Patna and Gaya districts of Bihar) is also associated with the vratya people, who occupied an ambiguous position between the aryas and mlecchas. Other mleccha tribes frequently mentioned include the Satvants of the Chambal River valley and, in the Vindhyan and northern Deccan region, the Andhra, Vidarbha, Nishadha, Pulinda, and Shabara. The location of all these tribes is of considerable historical interest, because they gave their names to enduring geographic regions.

By the 5th century BCE, clan identity had changed to territorial identity, and the areas of settlement changed from chiefdoms to kingdoms in some cases. The state was emerging as a new feature. Assemblies such as the sabha and parishad continued as political institutions into later periods. The larger assemblies declined. Rudimentary notions of taxation were the genesis of administration, as were the ratnins (“jewels”), consisting of representatives of various professions advising the chief. A major transformation occurred in the notion of kingship, which ceased to be merely an office of a war leader; territorial identity provided it with power and status, symbolized by a series of lengthy and elaborate ceremonies—the abhishekha, generally followed by major sacrificial rituals, such as the ashvamedha. This ceremony was a famous horse sacrifice, in which a specially selected horse was permitted to wander at will, tracked by a body of soldiers; the area through which the horse wandered unchallenged was claimed by the chief or king conducting the sacrifice. Thus, theoretically at least, only those with considerable power could perform this sacrifice. Such major sacrificial rituals involved a large amount of wealth and a hierarchy of priests. The ceremonies lasted many days and involved a reciprocal economy of gift exchange between the chief and the priest, by which the latter received wealth in kind and the former established status, prosperity, and proximity to the gods.

The conspicuous display and consumption of these ceremonies have elicited comparison with the potlatch of the Kwakiutl and related North American indigenous peoples. The assumption of such sacrifices was that the clan had settled in a particular area, marking the end of nomadism. This led eventually to the claim of ownership by kings of the wastelands, although a ruler’s right to collect taxes was viewed not as a consequence of his ownership of wasteland but as his wage for protecting society. The new trends emphasized the importance of the priests and the aristocracy (Brahmans and Kshatriyas), who were the mainstay of kingship. The introduction, through royal sacrifices, of notions of divinity in kingship further strengthened the role of the priests. This was also the period in which kingship became hereditary.

The technology of iron, or krishna ayas (“dark metal”), as it was apparently called in later Vedic literature, and the migration into the Ganges valley helped in stabilizing agriculture and settlements. Some of these settlements along the rivers evolved into towns, essentially as administrative and craft centres. By the mid-1st millennium BCE the second urbanization—this time in the Ganges valley—was under way.

The development with the most far-reaching consequences for Indian culture is the structure of society that has come to be called caste. A hymn in the Rigveda contains a description of the primeval sacrifice and refers to the emergence of four groups from the body of the god Prajapati—the Brahmans (Brāhmaṇas), Kshatriyas (Kṣatriyas), Vaishyas (Vaiśyas), and Sudras (Śūdras). This is clearly a mythologized attempt to describe the origin of the four varnas, which came to be regarded as the four major classes in Indian society.

The etymology of each is of interest: Brahman is one who possesses magical or divine knowledge (brahman); Kshatriya is endowed with power or sovereignty (kṣatra); and Vaishya, derived from viś (vish, “settlement”), is a person settled on the land or a member of the clan. The derivation of the term Sudra, however, denoting a member of the group born to serve the upper three varnas, is not clear, which may suggest that it is a non-Aryan word. In addition to varna there are references to jati (birth), which gradually came to acquire a close association with caste and appears to mean the endogamous kinship group.



Origins
See also: Indo-European migrations, Indo-Aryan peoples, Indo-Aryan migration, and Indigenous Aryans.


The commonly accepted period of earlier Vedic age is dated back to the second millennium BCE After the collapse of the Indus Valley Civilisation, which occurred around 1900 BCE, groups of Indo-Aryan peoples migrated into north-western India and started to inhabit the northern Indus Valley. The Indo-Aryans represented a sub-group that diverged from the other Indo-Iranian tribes before the middle of the 2nd millennium BCE. According to the most widespread hypothesis, the latter originated 

Some writers and archaeologists have opposed the notion of a migration of Indo-Aryans into India.Edwin Bryant and Laurie Patton used the term "Indo-Aryan Controversy" for an oversight of the Indo-Aryan Migration theory, and some of its opponents. These ideas are outside the academic mainstream. Mallory and Adams note that two types of models "enjoy significant international currency" as to the Indo-European homeland, namely the Anatolian hypothesis, and a migration out of the Eurasian steppes According to Upinder Singh, "The original homeland of the Indo-Europeans and Indo-Aryans is the subject of continuing debate among philologists, linguists, historians, archaeologists and others. The dominant view is that the Indo-Aryans came to the subcontinent as immigrants. Another view, advocated mainly by some Indian scholars, is that they were indigenous to the subcontinent."

The knowledge about the Aryans comes mostly from the Rigveda-samhita, i. e. the oldest layer of the Vedas, which was composed c. 1500–1200 BCE. They brought with them their distinctive religious traditions and practices. The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion, and the Indo-Iranian religion.According to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Iran It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria–Margiana culture.

he Rigveda contains accounts of conflicts between the Aryas and the Dasas and Dasyus. It describes Dasas and Dasyus as people who do not perform sacrifices (akratu) or obey the commandments of gods (avrata). Their speech is described as mridhra which could variously mean soft, uncouth, hostile, scornful or abusive. Other adjectives which describe their physical appearance are subject to many interpretations. However, some modern scholars such as Asko Parpola connect the Dasas and Dasyus to Iranian tribes Dahae and Dahyu and believe that Dasas and Dasyus were early Indo-Aryan immigrants who arrived into the subcontinent before the Vedic Aryans.

Accounts of military conflicts between the various tribes of Vedic Aryans are also described in the Rigveda. Most notable of such conflicts was the Battle of Ten Kings, which took place on the banks of the river Parushni (modern day Ravi).The battle was fought between the tribe Bharatas, led by their chief Sudas, against a confederation of ten tribes. The Bharatas lived around the upper regions of the river Saraswati, while the Purus, their western neighbours, lived along the lower regions of Saraswati. The other tribes dwelt north-west of the Bharatas in the region of Punjab.Division of the waters of Ravi could have been a reason for the war. The confederation of tribes tried to inundate the Bharatas by opening the embankments of Ravi, yet Sudas emerged victorious in the Battle of Ten Kings. Purukutsa, the chief of the Purus, was killed in the battle and the Bharatas and the Purus merged into a new tribe, the Kuru, after the war.

After the 12th century BCE, as the Rigveda had taken its final form, the Vedic society, which is associated with the Kuru-Pancala region but were not the only Indo-Aryan people in northern India,transitioned from semi-nomadic life to settled agriculture in north-western India.Possession of horses remained an important priority of Vedic leaders and a remnant of the nomadic lifestyle, resulting in trade routes beyond the Hindu Kush to maintain this supply as horses needed for cavalry and sacrifice could not be bred in India.The Gangetic plains had remained out of bounds to the Vedic tribes because of thick forest cover. After 1000 BCE, the use of iron axes and ploughs became widespread and the jungles could be cleared with ease. This enabled the Vedic Aryans to extend their settlements into the western area of the Ganga-Yamuna Doab. Many of the old tribes coalesced to form larger political units

The Vedic religion was further developed with the emergence of the Kuru kingdom, systematising its religious literature and developing the Śrauta ritual.It is associated with the Painted Grey Ware culture (c.1200-600 BCE), which did not expand east of the Ganga-Yamnuya Doab. It differed from the related, yet markedly different, culture of the Central Ganges region, which was associated with the Northern Black Polished Ware and the Mahajanapadas of Kosala and Magadha.

In this period the varna system emerged, state Kulke and Rothermund,which in this stage of Indian history were a "hierarchical order of estates which reflected a division of labor among various social classes". The Vedic period estates were four: Brahmin priests and warrior nobility stood on top, free peasants and traders were the third, and slaves, labourers and artisans, many belonging to the indigenous people, were the fourth.This was a period where agriculture, metal, and commodity production, as well as trade, greatly expanded, and the Vedic era texts including the early Upanishads and many Sutras important to later Hindu culture were completed.


Modern replica of utensils and falcon shaped altar used for Agnicayana, an elaborate Śrauta ritual originating from the Kuru Kingdom, around 1000 BCE.
The Kuru Kingdom, the earliest Vedic "state", was formed by a "super-tribe" which joined several tribes in a new unit. To govern this state, Vedic hymns were collected and transcribed, and new rituals were developed, which formed the now orthodox Śrauta rituals. Two key figures in this process of the development of the Kuru state were the king Parikshit and his successor Janamejaya, transforming this realm into the dominant political and cultural power of northern Iron Age India.

The most well-known of the new religious sacrifices that arose in this period were the Ashvamedha (horse sacrifice).This sacrifice involved setting a consecrated horse free to roam the kingdoms for a year. The horse was followed by a chosen band of warriors. The kingdoms and chiefdoms in which the horse wandered had to pay homage or prepare to battle the king to whom the horse belonged. This sacrifice put considerable pressure on inter-state relations in this era. This period saw also the beginning of the social stratification by the use of varna, the division of Vedic society in Kshatriya, Brahmins, Vaishya and Shudra.

The Kuru kingdom declined after its defeat by the non-Vedic Salva tribe, and the political centre of Vedic culture shifted east, into the Panchala kingdom on the Ganges, under King Keśin Dālbhya (approximately between 900 and 750 BCE).Later, in the 8th or 7th century BCE, the kingdom of Videha emerged as a political centre farther to the East, in what is today northern Bihar of India and southeastern Nepal, reaching its prominence under the king Janaka, whose court provided patronage for Brahmin sages and philosophers such as Yajnavalkya, Uddalaka Aruni, and Gargi Vachaknavi; Panchala also remained prominent during this period, under its king Pravahana Jaivali.

By the 6th century BCE, the political units consolidated into large kingdoms called Mahajanapadas. The process of urbanisation had begun in these kingdoms, commerce and travel flourished, even regions separated by large distances became easy to access Anga, a small kingdom to the east of Magadha (on the door step of modern-day West Bengal), formed the eastern boundary of the Vedic culture. Yadavas expanded towards the south and settled in Mathura. To the south of their kingdom was Vatsa which was governed from its capital Kausambi. The Narmada River and parts of North Western Deccan formed the southern limits. The newly formed states struggled for supremacy and started displaying imperial ambitions.

The end of the Vedic period is marked by linguistic, cultural and political changes. The grammar of Pāṇini marks a final apex in the codification of Sutra texts, and at the same time the beginning of Classical Sanskrit. The invasion of Darius I of the Indus valley in the early 6th century BCE marks the beginning of outside influence, continued in the kingdoms of the Indo-Greeks. Meanwhile, in the Kosala-Magadha region, the shramana movements (including Jainism and Buddhism) objected the self-imposed authority and orthodoxy of the intruding Brahmins and their Vedic scriptures and ritual.] According to Bronkhorst, the sramana culture arose in "greater Magadha," which was Indo-European, but not Vedic. In this culture, kshatriyas were placed higher than Brahmins, and it rejected Vedic authority and rituals

The reconstruction of the history of Vedic India is based on text-internal details, but can be correlated to relevant archaeological details. Linguistically, the Vedic texts could be classified in five chronological strata:

Rigvedic text: The Rigveda is by far the most archaic of the Vedic texts preserved, and it retains many common Indo-Iranian elements, both in language and in content, that are not present in any other Vedic texts. Its time span likely corresponds to the Late Harappan culture, Gandhara Grave culture and Ochre Coloured Pottery culture.
Mantra language texts: This period includes both the mantra and prose language of the Atharvaveda (Paippalada and Shaunmkiya), the Rigveda Khilani, the Samaveda Samhita (containing some 75 mantras not in the Rigveda), and the mantras of the Yajurveda. Many of these texts are largely derived from the Rigveda, but have undergone certain changes, both by linguistic change and by reinterpretation. Conspicuous changes include change of vishva "all" by sarva, and the spread of the kuru- verbal stem (for Rigvedic krno-). This is the time of the early Iron Age in north-western India, corresponding to the Black and Red Ware (BRW) and Painted Grey Ware (PGW) cultures, and the early Kuru Kingdom, dating from c. the 12th to 11th century BCE.
Samhita prose texts: This period marks the beginning of the collection and codification of a Vedic canon. An important linguistic change is the complete loss of the injunctive. The Brahmana part ('commentary' on mantras and ritual) of the Black Yajurveda (MS, KS, TS) belongs to this period. Archaeologically, the Painted Grey Ware (PGW) culture from c. 1000 or 900 BCE corresponds to the Kuru Kingdom and the subsequent eastward shift of the political centre from the Kurus to the Panchalas on the Ganges.
Brahmana prose texts: The Brahmanas proper of the four Vedas belong to this period, as well as the Aranyakas, the oldest of the Upanishads (BAU, ChU, JUB) and the oldest Śrautasutras (BSS, VadhSS). In the east, Videha (N. Bihar and Nepal) is established as the third main political centre of the Vedic period.
Sutra language texts: This is the last stratum of Vedic Sanskrit leading up to c. 500 BCE, comprising the bulk of the Śrauta and Grhya Sutras, and some Upanishads (e.g. KathU, MaitrU).


Archaeological cultures identified with phases of Vedic material culture include the Ochre Coloured Pottery culture, the Gandhara Grave culture, the Black and red ware culture and the Painted Grey Ware culture.

Ochre coloured pottery culture was first found approximately between 1950-1951, in western Uttar Pradesh, in the Badaun and Bisjuar district.It is thought that this culture was prominent during the latter half of the 2nd millennium, within the transition between the Indus Valley civilization and the end of Harrapan culture. This pottery is typically created with wheel ware, and is ill-fired, to a fine to medium fabric, decorated with a red slip, and occasional black bands1. When this pottery was worked with, it often left an ochre color on the hands, most likely because of water-logging, bad firing, wind action, or a mixture of these factors. This pottery was found all throughout the doab, most of it found in the Muzaffarnagar, Meerut, and Bulandshahr districts, but also existing outside these districts, extending north and south of Bahadrabad. This pottery does however seem to exist within different time frames of popularity, ochre colored pottery seeming to occur in areas such as Rajasthan earlier than we see it in the doab, despite the doab being heavily associated with the culture.

Gandhara grave culture refers to the protohistoric cemeteries found in the Gandhara region, stretching all the way from Bajuar to the Indus . These cemeteries seem to follow a set grave structure and “mortuary practice”, such as inflexed inhumation and cremation. This culture is thought to occur in 3 stages: the lower, in which burials take place in masonry lined pits, the upper, in which urn burials and cremations are added, and the “surface” level, in which graves are covered with huge stone slabs.In the lower stage, excavators found that these graves are typically 2-3 feet deep, and covered with stones on top. After digging out the stones, skeletons were found facing southwest to northeast, with the head facing one direction, and the hands laying on top of one another.Female skeletons were often found wearing hair pins and jewelry Pottery is greatly important to this culture, as pottery was often used as a “grave good”, being buried with the bodies of the dead. Buried alongside the skeletons, we typically see various pots on top of the body, averaging at about 5 or less pieces of pottery per grave. Within this culture we typically see 2 kinds of pottery: gray ware, or red ware.

Black and red ware culture was coined as a term in 1946 by Sir Mortimer Wheeler . The pottery, as the name suggests, typically has a black rim/inside surface, and a red lower half on the outside of the piece. Red-ware pottery tends to fall into 2 categories: offering stands, or cooking vessels. Most of these pieces of pottery were open mouthed bowls that were burnished, painted, or slipped on one side, however, jars, pots, and dishes-on-stands have also been found in small quantities.[Black and red ware, and the surrounding culture, began its spread during the neolithic period and continues until the early medieval period in India, as well as being found in parts of West Asia and Egypt.[There are many theories about the process of its creation, the most popular being the use of an inverted firing technique, or a simultaneous oxidation and reduction firing. One researcher however learned that these 2 theories are quite possibly misguided, as they were able to recreate black and red ware pottery through double firing, one stating “the characteristic colouration of the pottery cannot merely be achieved by inverted firing”.

Painted grey ware culture is a significant pottery style that has been linked to a group of people who settled in Sutlej, Ghagger, and the Upper Ganga/Yamuna Valleys, loosely classified with the early Aryans who migrated to India in the beginning of the Vedic period. It’s also thought that the groups that introduced the painted grey ware culture also brought iron technology to the Indo-gangetic plains, making this pottery a momentous mark of the Northern Indian Iron age. The style of grey-ware often includes clay wheel-thrown into a smooth texture, ash-grey in color, and often decorated with black ink, creating small circular patterns, sometimes spirals, swastikas, or sigmas. Grey-ware pottery is almost exclusively drinking ware, and tends to have 3 different forms: narrow-waisted, tall drinking glasses, middle-sized drinking goblets, and drinking vases with outturned lips. There was a distinct grey ware culture surrounding the establishment of the pottery, but while the culture is significant, grey ware has only made up 10-15% of found Vedic pottery, a majority of the pottery red ware, as grey ware pottery was seen as a “highly valued luxury”.\










Wednesday, April 22, 2020

पाराशर

उपनाम (जिसे प्रशर, पाराशर, प्रसार, पराशर, पराशर के रूप में भी लिखा जाता है) इसकी उत्पत्ति वैदिक भारत (2000-1000 ईसा पूर्व) से हुई है और आज उच्च जाति के हिंदू ब्राह्मणों द्वारा उपयोग किया जाता है जो प्रसिद्ध प्राचीन हिंदू वैदिक विद्वान-ऋषि से वंश का दावा करते हैं। पाराशर ऋषि। पाराशर एक ऋग्वैदिक महर्षि (महान ऋषि) और कई प्राचीन भारतीय ग्रंथों के लेखक थे। पाराशर(या पराशर) वशिष्ठ के पोते, ṣशक्ति महारानी के पुत्र और व्यास के पिता थे। कई ग्रंथ हैं जो एक लेखक / वक्ता के रूप में परारा का संदर्भ देते हैं। आधुनिक विद्वानों का मानना ​​है कि ऐसे कई व्यक्ति थे जिन्होंने इस नाम का उपयोग पूरे समय किया था, जबकि अन्य यह दावा करते हैं कि एक ही परारा ने इन विभिन्न ग्रंथों और उन्हें लिखने के समय को विविध रूप से पढ़ाया। वास्तविक ऋषि ने स्वयं ग्रंथों को कभी नहीं लिखा, उन्हें एक यात्रा शिक्षक के रूप में जाना जाता था, और उनके लिए जिम्मेदार विभिन्न ग्रंथों में पारदारा को उनके छात्र के वक्ता होने के संदर्भ में दिया गया है। दक्षिण भारत में उच्च जाति के हिंदू ब्राह्मणों में वे अद्वैत गुरु परम्परा के ऋषि परम्परा के तीसरे सदस्य के रूप में पूजनीय हैं। वेदों के अनुसार, ब्रह्मा (निर्माता या श्रेष्ठ वास्तुविद) ने वशिष्ठ की रचना की, जिन्होंने अरुंधति के साथ शक्ति-मुनि नामक एक पुत्र उत्पन्न किया। जिन्होंने पारायरा का वरण किया। सत्यवती के साथ, पराग ने व्यास (एक और महान वैदिक ऋषि) को जन्म दिया। महानतम भारतीय महाकाव्य के अनुसार-महाभारत व्यास ने अपने मृत भाई की पत्नियों के माध्यम से धृतराष्ट्र, पांडु और विदुर का वध किया। व्यास ने अपनी पत्नी, जाबली की बेटी पिंजला (वाटिका) के माध्यम से उका भी विवाह किया। इस प्रकार  पाराशरमहाभारत, कौरवों और पांडवों के दोनों युद्धरत दलों के परदादा थे। उपनाम पाराशर का वंशज एक महान पौराणिक (और कुछ हद तक ऐतिहासिक) हिंदुओं के बीच महत्व रखता है।


पाराशर का पालन-पोषण उनके दादा वशिष्ठ ने किया था क्योंकि उन्होंने कम उम्र में ही अपने पिता को खो दिया था। उनके पिता, iक्ति मुनि, एक यात्रा पर थे और एक क्रोधी राक्षस (राक्षस) के पास आया था, जो एक बार राजा बन गया था, लेकिन विष्णुमित्र से एक अभिशाप के रूप में मानव मांस पर खिला हुआ एक दानव में बदल गया था। राक्षस ने पाराशर के पिता को खा लिया। विष्णु पुराण में, पाराशर इस से अपने क्रोध के बारे में बोलते हैं।

व्यास की देखभाल में सत्यवती को छोड़कर, पाराशर तप (गहन ध्यान) करने के लिए आगे बढ़े। बाद में व्यास भी ऋषि बन गए और सत्यवती अपने पिता के घर लौट आईं और कुछ ही समय में uतनु से शादी कर ली।

पाराशर को "लंगड़ा ऋषि" के रूप में जाना जाता था। उन्होंने अपने पैर पर जख्मी कर लिया था। जब ani की मृत्यु हो जाती है, तो वह वापस एक तत्व या एक श्लोक में विलीन हो जाता है। जब ऋषि पराशर एक घने जंगल से गुजर रहे थे, तो उन्हें और उनके छात्रों पर भेड़ियों ने हमला किया। वह अपने बुढ़ापे में लंगड़े पैर के साथ दूर जाने में असमर्थ था, उसने इस दुनिया को भेड़ियों में विलय कर दिया।


पाराशर मुनि का स्मारक महाराष्ट्र के ताल कवठे महाकाल सांगली जिले के जुन्हा - पन्हाला किले में उपलब्ध है। किले में मुनरा मुनि की एक गुफा मौजूद है।


ऐतिहासिक स्थल: 1) भारत के महाराष्ट्र के कोल्हापुर जिले में पन्हाला किले में ऋषि पाराशर का जन्म स्थान माना जाता है। किले में मौजूद एक विशाल ऋषि-पाराशरियों की गुफा माना जाता है। पनहाला 16 ° 49″12 ′ N और 74 ° 7′12। E पर स्थित है। इसकी औसत ऊंचाई 754 मीटर (2473 फीट) है।

2.) प्रहार झील भारत के मंडी, हिमाचल प्रदेश से 49 किलोमीटर उत्तर में स्थित है, जिसमें तीन मंजिला शिवालय जैसा मंदिर है जो ऋषि प्रहार को समर्पित है। झील समुद्र तल से 2730 मीटर की ऊंचाई पर स्थित है। गहरे नीले पानी के साथ, झील को ऋषि पाराशर के लिए पवित्र माना जाता है और माना जाता है कि उन्होंने वहां ध्यान लगाया था। बर्फ से ढकी चोटियों से घिरी और ब्यास नदी के तेज बहाव को देखते हुए, झील के माध्यम से हिमाचल प्रदेश के भारतीय हिमालयी राज्य में द्रंग के माध्यम से संपर्क किया जा सकता है। मंदिर का निर्माण तेरहवीं शताब्दी में किया गया था और किंवदंती है कि इसे एक ही पेड़ के एक बच्चे ने बनाया था। झील में एक तैरता हुआ द्वीप है जहाँ महान ऋषि का ध्यान किया जाता है।


3.) जगतपिता ब्रह्मा मंदिर (हिंदी: जगत-पिता ब्रह्मा मंदिर) भारत के राजस्थान राज्य के पुष्कर में स्थित एक हिंदू मंदिर है, जो पवित्र पुष्कर झील के करीब है, जहाँ इसकी किंवदंती की एक अमिट कड़ी है। यह मंदिर भारत में हिंदू निर्माता-भगवान ब्रह्मा को समर्पित बहुत कम मौजूदा मंदिरों में से एक है और उनमें से सबसे प्रमुख है

upanaam (jise prashar, paraashar, prasaar, paraashar, paraashar ke roop mein bhee likha jaata hai) isakee utpatti vaidik bhaarat (2000-1000 eesa poorv) se huee hai aur aaj uchch jaati ke hindoo braahmanon dvaara upayog kiya jaata hai jo prasiddh praacheen hindoo vaidik vidvaan-rshi se vansh ka daava karate hain. paraashar rshi. paraashar ek rgvaidik maharshi (mahaan rshi) aur kaee praacheen bhaarateey granthon ke lekhak the. paraashar (ya paraashar) vashishth ke pote, shshakti mahaaraanee ke putr aur vyaas ke pita the. kaee granth hain jo ek lekhak / vakta ke roop mein paraara ka sandarbh dete hain. aadhunik vidvaanon ka maanana ​​hai ki aise kaee vyakti the jinhonne is naam ka upayog poore samay kiya tha, jabaki any yah daava karate hain ki ek hee paraara ne in vibhinn granthon aur unhen likhane ke samay ko vividh roop se padhaaya. vaastavik rshi ne svayan granthon ko kabhee nahin likha, unhen ek yaatra shikshak ke roop mein jaana jaata tha, aur unake lie jimmedaar vibhinn granthon mein paaradaara ko unake chhaatr ke vakta hone ke sandarbh mein diya gaya hai. dakshin bhaarat mein uchch jaati ke hindoo braahmanon mein ve advait guru parampara ke rshi parampara ke teesare sadasy ke roop mein poojaneey hain. vedon ke anusaar, brahma (nirmaata ya shreshth vaastuvid) ne vashishth kee rachana kee, jinhonne arundhati ke saath shakti-muni naamak ek putr utpann kiya. jinhonne paaraayara ka varan kiya. satyavatee ke saath, paraag ne vyaas (ek aur mahaan vaidik rshi) ko janm diya. mahaanatam bhaarateey mahaakaavy ke anusaar-mahaabhaarat vyaas ne apane mrt bhaee kee patniyon ke maadhyam se dhrtaraashtr, paandu aur vidur ka vadh kiya. vyaas ne apanee patnee, jaabalee kee betee pinjala (vaatika) ke maadhyam se uka bhee vivaah kiya. is prakaar paraashar mahaabhaarat, kauravon aur paandavon ke donon yuddharat dalon ke paradaada the. upanaam paraashar ka vanshaj ek mahaan pauraanik (aur kuchh had tak aitihaasik) hinduon ke beech mahatv rakhata hai.

vedon ke anusaar, brahma ne vashishth kee rachana kee, jo apanee patnee arundhati ke saath paraashakti naamak ek putr mahaaaratee ka putr tha. satyavatee ke saath, paraashar ne vyaas ko janm diya. vyaas ne dhrtaraashtr aur paandu ko apane mrtak bhaee kee patniyon, ambika aur ambaalika aur vidur ke maadhyam se ambika aur ambaalika ke ek haath se vivaah ke maadhyam se bheja. vyaas ne shukla ko apanee patnee, jaabalee kee betee pinjala ke maadhyam se bhee bheja. is prakaar paraashar mahaabhaarat, kauravon aur paandavon ke donon yuddharat dalon ke paradaada the. paaraashar ka upayog poorvajon ke lie ek gotr ke roop mein kiya jaata hai aur unake baad ke patton ke lie

paraashar ka paalan-poshan unake daada vashishth ne kiya tha kyonki unhonne kam umr mein hee apane pita ko kho diya tha. unake pita, ikti muni, ek yaatra par the aur ek krodhee raakshas (raakshas) ke paas aaya tha, jo ek baar raaja ban gaya tha, lekin vishnumitr se ek abhishaap ke roop mein maanav maans par khila hua ek daanav mein badal gaya tha. raakshas ne paaraashar ke pita ko kha liya. vishnu puraan mein, paraashar is se apane krodh ke baare mein bolate hain.

"mainne suna tha ki mere pita ko vishvaamitr dvaara niyojit raamakos ne bhasm kar diya tha: hinsak krodh ne mujhe jakad liya tha, aur mainne raamaayan ke vinaash ke lie ek balidaan kee saraahana kee: unamen se saikadon ko sanskaar dvaara raakh ke roop mein kam kar diya gaya, jab ve the pooree tarah se nirvaasit hone ke baare mein, mere daada vashishth ne mujhase kaha: bahut ho gaya, mere bachche, tera prakop prakat hone do: raakas doshee nahin hain: aapake pita kee mrtyu bhaagy ka kaam thee. krodh moorkhon ka junoon hai; yah moorkhata nahin hai. buddhimaan vyakti. jisake dvaara yah poochha ja sakata hai, kya koee maara gaya hai? pratyek vyakti apane svayan ke krtyon ke parinaamon ko padhata hai. krodh, mera beta, sabhee ko nasht kar deta hai jo manushy ko kathin parishram se, prasiddhi kee aur bhakti tapasya dvaara praapt hota hai; aur svarg ya mukti kee praapti ko rokata hai. pramukh sant hamesha krodh ko door karate hain: apane bachche, apane bachche ke prati kisee bhee prakaar kee chinta na karen. andhakaar kee in aparivartit aatmaon ka adhik sevan na karen. daya dharmiyon kee shakti hai.

paraashar muni (rshi), bhagavaan vishnu, brahma aur mahaadev kee ichchha par, jo poore brahmaand ko banae rakhane, banaane aur nasht karane ke lie desh bhar mein apanee ek yaatra par, raat ke lie ek chhote se padaav ke kinaare ruk gae. yamuna nadee. unhen machhuaare-saradaar dusharaaj ke ghar mein rakha gaya tha. jab bhor ho gaee, to pramukh ne apanee betee matsyagandha se poochha, jisaka naam "machhalee kee gandh vaala ek" hai, rshi ko usakee agalee manjil tak pahunchaane ke lie. jab pheree mein, paraashar sundar ladakee dvaara aakarshit kiya gaya tha. usane apanee rahasyavaadee shakti ke dvaara nadee ke bheetar ek dveep banaaya aur use vahaan naav chalaane ke lie kaha. nadee ke tat par logon ko dekhakar, usane ninda kee, us samay rshi ne ek ghane kohare ka nirmaan kiya jisane pooree nadee ko dhank diya. paraashar ne use ek putr, krshn dvaipaayan, jo gahare rang ka tha, aasheervaad diya aur isalie use krshn (kaala) naam se bhee pukaara ja sakata hai, aur isaka naam dvaipaayan bhee hai, jisaka arth hai dveep-janm. baad mein unhonne bhaarat ke klaasik vaidik saahity ko sankalit kiya, aur ise vyaas kaha jaata hai jo bhagavaan vishnu ke 17 ven avataar hain. paraashar ne use varadaan diya ki usake vyakti se uttam sugandh nikal sakatee hai. usake baad use satyavatee (shuddh sugandh) ke roop mein jaana jaata tha.
vyaas kee dekhabhaal mein satyavatee ko chhodakar, paraashar tap (gahan dhyaan) karane ke lie aage badhe. baad mein vyaas bhee rshi ban gae aur satyavatee apane pita ke ghar laut aaeen aur kuchh hee samay mein utanu se shaadee kar lee.

paraashar ko "langada rshi" ke roop mein jaana jaata tha. unhonne apane pair par jakhmee kar liya tha. jab ani kee mrtyu ho jaatee hai, to vah vaapas ek tatv ya ek shlok mein vileen ho jaata hai. jab rshi paraashar ek ghane jangal se gujar rahe the, to unhen aur unake chhaatron par bhediyon ne hamala kiya. vah apane budhaape mein langade pair ke saath door jaane mein asamarth tha, usane is duniya ko bhediyon mein vilay kar diya.


paraashar muni ka smaarak mahaaraashtr ke taal kavathe mahaakaal saangalee jile ke junha - panhaala kile mein upalabdh hai. kile mein munara muni kee ek gupha maujood hai.


aitihaasik sthal: 1) bhaarat ke mahaaraashtr ke kolhaapur jile mein panhaala kile mein rshi paaraashar ka janm sthaan maana jaata hai. kile mein maujood ek vishaal rshi-paaraashariyon kee gupha maana jaata hai. panahaala 16 ° 49″12 ′ n aur 74 ° 7′12. ai par sthit hai. isakee ausat oonchaee 754 meetar (2473 pheet) hai.

2.) prahaar jheel bhaarat ke mandee, himaachal pradesh se 49 kilomeetar uttar mein sthit hai, jisamen teen manjila shivaalay jaisa mandir hai jo rshi prahaar ko samarpit hai. jheel samudr tal se 2730 meetar kee oonchaee par sthit hai. gahare neele paanee ke saath, jheel ko rshi paraashar ke lie pavitr maana jaata hai aur maana jaata hai ki unhonne vahaan dhyaan lagaaya tha. barph se dhakee chotiyon se ghiree aur byaas nadee ke tej bahaav ko dekhate hue, jheel ke maadhyam se himaachal pradesh ke bhaarateey himaalayee raajy mein drang ke maadhyam se sampark kiya ja sakata hai. mandir ka nirmaan terahaveen shataabdee mein kiya gaya tha aur kinvadantee hai ki ise ek hee ped ke ek bachche ne banaaya tha. jheel mein ek tairata hua dveep hai jahaan mahaan rshi ka dhyaan kiya jaata hai.


3.) jagatapita brahma mandir (hindee: jagat-pita brahma mandir) bhaarat ke raajasthaan raajy ke pushkar mein sthit ek hindoo mandir hai, jo pavitr pushkar jheel ke kareeb hai, jahaan isakee kinvadantee kee ek amit kadee hai. yah mandir bhaarat mein hindoo nirmaata-bhagavaan brahma ko samarpit bahut kam maujooda mandiron mein se ek hai aur unamen se sabase pramukh hai
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PARASHAR(Parāśara)-पाराशर-పరాశర

The Surname(also spelled as-Prashar,Parasar,Prasar,Parasara,Parashar) traces its origins back to Vedic India(2000-1000 BCE) and today used by high caste Hindu Brahmins who claim ancestry from the famous ancient hindu vedic scholar-Rishi Parashara. Parashara was a Rigvedic Maharishi(the great sage) and author of many ancient Indian texts. Parashara (or Parashar) was the grandson of Vashista, the son of Śakti Maharṣi, and the father of Vyasa. There are several texts which give reference to Parāśara as an author/speaker. Modern scholars believe that there were many individuals who used this name throughout time whereas others assert that the same Parāśara taught these various texts and the time of writing them varied. The actual sage himself never wrote the texts, he was known as a traveling teacher, and the various texts attributed to him are given in reference to Parāśara being the speaker to his student. In south India high caste hindu brahmins he is revered as the third member of the Rishi Parampara of the Advaita Guru Parampara.According to the Vedas, Brahma(the creator or the greta architect) created Vashista who with Arundhati had a son named Shakti-muni who sired Parāśara. With Satyavati, Parāśara fathered Vyasa(another great vedic sage). According to the greatest Indian epic -The Mahabharata Vyasa sired Dhritarashtra, Pandu and Vidura through his dead brother's wives. Vyasa also sired Śuka through his wife, Jābāli's daughter Pinjalā (Vatikā). Thus Parashara was the great-grandfather of both the warring parties of the Mahābhārata, the Kauravas and the Pāndavas.Thus the lineage of surname Parashar carries a great mythological (and to some extent historical) significance amongst the hindus.

According to the Vedas, Brahma created Vasishtha, who, with his wife Arundhati, had a son named Śakti Mahariṣhi who sired Parashara. With Satyavati, Parashara fathered Vyasa. Vyāsa sired Dhritarashtra and Pandu through his deceased brother's wives, Ambika and Ambalika and Vidura through a hand-maiden of Ambika and Ambalika. Vyāsa also sired Shuka through his wife, Jābāli's daughter Pinjalā. Thus Parashara was the great-grandfather of both the warring parties of the Mahābhārata, the Kauravas and the Pandavas. Parashara is used as a gotra for the ancestors and their off springs thereon.

Parashara was raised by his grandfather Vasishtha because he lost his father at an early age. His father, Śakti Muni, was on a journey and came across an angry Rakshasa (demon) who had once been a king but was turned into a demon feeding on human flesh as a curse from Viśvamitra. The demon devoured Parashara’s father. In the Viṣṇu Purāṇa, Parashara speaks about his anger from this.

"I had heard that my father had been devoured by a Rākṣasa employed by Viśvamitra: violent anger seized me, and I commenced a sacrifice for the destruction of the Rākṣasas: hundreds of them were reduced to ashes by the rite, when, as they were about to be entirely exterminated, my grandfather Vasishtha said to me: Enough, my child; let thy wrath be appeased: the Rākṣasas are not culpable: thy father's death was the work of destiny. Anger is the passion of fools; it becometh not a wise man. By whom, it may be asked, is anyone killed? Every man reaps the consequences of his own acts. Anger, my son, is the destruction of all that man obtains by arduous exertions, of fame, and of devout austerities; and prevents the attainment of heaven or of emancipation. The chief sages always shun wrath: be not subject to its influence, my child. Let no more of these unoffending spirits of darkness be consumed. Mercy is the might of the righteous.

Parashara Muni (Sage), at the wish of Lord Vishnu, Brahma and Mahadev, who maintain, create and destroy in time the entire universe, on one of his travels across the country, halted for the night in a little hamlet on the banks of the river Yamuna. He was put up in the house of the fisherman-chieftain Dusharaj. When dawn broke, the chief asked his daughter, Matsyagandha, whose name means "one with the smell of fish", to ferry the sage to his next destination. When in the ferry, Parashara was attracted by the beautiful girl. He created an island within the river by his mystic potency and asked her to land the boat there. Seeing people on the river's bank, she demurred, at which time the sage created a dense fog which enveloped the entire river. Parashara blessed her with a son, Krishna Dvaipāyana, who was dark-complexioned and hence may be called by the name Krishna (black), and also the name Dwaipayana, meaning 'island-born'. He later compiled the classic Vedic literatures of India, and so is called Vyasa who is the 17th incarnations of Lord Vishnu. Parashara granted her the boon that the finest fragrance may emit from her person. She was thereafter known as Satyavati (pure fragrance).

Leaving Satyavati in the care of Vyasa, Parashara proceeded to perform Tapas (intense meditation). Later Vyasa also became a Rishi and Satyavati returned to her father's house, and in due course, married Śantanu.

Parashara was known as the "limping sage". He had his leg wounded during an attack on his āśrama. When a ṛṣi dies he merges back into an element or an archetype. When Sage Parashara was walking through a dense forest he and his students were attacked by wolves. He was unable to get away in his old age with a lame leg he left this world merging into the wolves.


The Monument of Parashara Muni is available at Junha - Panhala fort in Tal Kavathe Mahankal Sangli district of Maharashtra. A cave supposed to be of Parāśāra Muni is present at the fort.


Historical landmarks:1.)The birth place of Sage Parashara is believed to be at Panhala fort in Kolhapur district of Maharashtra,India. A cave supposed to be of the great sage-Parasharis present at the fort.Panhala is located at 16°49′12″N and 74°7′12″E. It has an average elevation of 754 metres (2473 feet).

2.)Prashar Lake lies 49 km north of Mandi, Himachal Pradesh, India, with a three storied pagoda-like temple dedicated to the sage Prashar. The lake is located at a height of 2730 m above sea level. With deep blue waters, the lake is held sacred to the sage Parashar and he is regarded to have meditated there. Surrounded by snow-capped peaks and looking down on the fast flowing river Beas, the lake can be approached via Drang in the Indian himalayan state of himachal pradesh. The temple was built in the thirteenth century and legend has it was built by a baby from a single tree. The lake has a floating island in it where the great sage is supposed to have meditated.


3.)Jagatpita Brahma Mandir (Hindi: जगत्-पिता ब्रह्मा मंदिर) is a Hindu temple situated at Pushkar in the Indian state of Rajasthan, close to the sacred Pushkar Lake to which its legend has an indelible link. The temple is one of very few existing temples dedicated to the Hindu creator-god Brahma in India and remains the most prominent among them


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